Art Dirt: How Does Texas Arts Funding Work?by Glasstire January 17, 2021
https://soundcloud.com/glasstire/art-dirt-how-does-texas-arts-funding-work
We shouldn’t try to abstract arts funding from our daily lives. We really depend upon it… we have to have the arts in our lives in order to feel human.”
Brandon Zech talks with Houston artist and Glasstire contributor Henry G. Sanchez about the challenges of public arts funding during a pandemic.
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https://glasstire.com/2021/01/17/art-dirt-how-does-texas-arts-funding-work/
“Arts Funding in Pandemic Texas: Part 1”
Part 1 of this two-part series called “Arts Funding in Pandemic Texas” portrays how the arts and culture communities of El Paso, Odessa, Austin, San Antonio, Waco and Corpus Christi have fared since the initial Covid shutdowns. Each of those arts and cultural affairs agencies had to scramble, invent, innovate, improvise and expedite plans, some long-intended, to help their arts communities survive during what is now described as the pandemic’s “double black swan” circumstances.
“Arts Funding in Pandemic Texas: Part 2”
Part 2 of the series, “Arts Funding in Pandemic Texas”. focuses on the Houston story. How have Houston’s art agencies, the Mayor’s Office of Cultural Affairs, and the Houston Arts Alliance responded to the Covid economic crisis? What these entities’ relationship to Houston’s arts community? And I take a look at the formation of Arts Accountability Houston.
Yesterday, April 28, wrapped up a two-week run of Henry Sanchez’s BioArt Bayou-torium project along Houston’s Buffalo Bayou. A combination science lab and art studio set up inside a shipping container, and accompanied by pontoon-boat tours of the bayou, Sanchez’s project was funded by Warhol’s Idea Fund.
Christina Rees and guests Chad Plunket and Paul Allen Hunton on a new arts festival in Lubbock, art with pontoon boats, and what cars pair well with Post-war paintings.
For day one of Glasstire's podcast from the Satellite Art Show in Austin, we talked talked to Houston artist Henry Sanchez about his upcoming project along Houston’s Buffalo Bayou. We also talked to Houston-based performance artist and Experimental Action festival co-organizer Julia Claire Wallace, and Satellite's performance art curator and Performance Is Alive founder Quinn Dukes, about the challenges of producing performances at an art fair, Texas' performance art community, and their advice for budding artists.
This is the first in a series of podcasts brought to you by Glasstire from Satellite.
glasstire.com/2019/03/15/on-loca…te-art-show-day-1/
A Conversation with Henry G. Sanchez at DiverseWorks
by Robert Boyd December 18, 2017
Houston-based Henry G. Sanchez is an artist and organizer, the founder and director of LOCCA: Law Office Center for Citizenship and Art, and founder and director of the ENGLISH KILLS PROJECT. Last month, on the occasion of Sanchez’s participation in DiverseWorks’ recent group exhibition Lines Drawn, Robert Boyd sat down with Sanchez to talk about art, politics, the issue of community and citizenship, and the role of artists in today’s roiling political environment.